Summary
The dying Prince Hippolytus (Peter Reilly) names the gawking, crazed choral throng as 'cultures' in the nearly-final words of Phaedra's Love, perhaps Sarah Kane's best and most powerful play.
Under the veneer of their self-righteous fury, they feed vicariously on the catastrophes of the House of Theseus.See the full content of this document
Extract
Magical Reality by a Team in Union
Kane's update of the Euripidean tragedy, updated by Racine and repeatedly revived by Sarah Bernh...
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